Giulia Zompa is a ultimate year Ph.D. Scholar in Modern day Art Historical past at the University of Milan (Italy). Her doctoral exploration focuses on the Italian creative situation amongst the 1980s and 1990s using into thought, as a situation research, what transpired at the exhibition degree in the city of Milan.
Giulia finished her scientific studies at the University of Florence and at the University of Milan, where she attained her BA and MA degrees cum laude. Her current interest in this new Italian artwork scene is relevant to her grasp’s degree thesis (defended in March 2020) entitled “Young Italian Artwork “in Milan (1984-1986). Her publications are devoted to those people major exploration topics (Artwork of the 1980s and 1990s, historical past of exhibitions) but she is also really intrigued in the neo-avantgardes of the 1960s and 1970s. She actively collaborates with the Office of Artwork Heritage and Criticism at the University of Milan keeping lectures and seminars. All through the earlier years, Giulia has also collaborated with different galleries. Also, from Oct 2021, she is the Founder and Director of Micro_Mosso, a cultural task that shares and encourages modern art with meetings and Training Lab.
As a fellow at CIMA, Giulia will focus on this means and part of playfulness in Bruno Munari’s activity. Bruno Munari has committed a huge component of his innovative exercise to the act of participating in: from the creation of children’s games and ‘game-books’ to the growth of instructional workshops that place enjoying at the heart of a new method. Giulia will attempt to trace the evolution of Munari’s strategy to the theme throughout his career, outlining the qualities that exhibit continuity and all those that sign adjust. Also, she will review the doable cultural references that have fostered Munari’s curiosity in play and the progressive recognition of its potential social job.
The put up Giulia Zompa appeared initially on Center for Italian Modern Art.